The painting “Spring” – is a
deep reveal of the person’s inner world. Attractiveness of the creation is in
the psychological manysideness of the image that lives, breathes, changes
nuances of sounding.
The painting is one from the
cycle of canvases, devated to the skifien period. For a long age passed a man
got used to the world not only in the direct meaning, but got used to it by his
thought, enriching himself with impressions and knowledge forming that, which
is called spiritual tradition.
We, like this girl at the
canvas, aspirate to drink from the spring of the soul spiritual memory of the
family. And then ourselves, in our time, we become a remembering, going back to
the land of shadows. Using specially art – method the painter like crashes the
space of the picture, where an oak stands on the big hill – the symbol of the
family that was kept with saint care by ancient Slavs.
Illya Panyok spiritualizes
often with such a measure some things at his paintings that a person and a
thing – world like change their places. At this canvas the holder of the life
becomes lifeless subject: the silver jug from the chertomlinskiy circle (IV
century b.c), the sculpture – postament, that symbolizes that very live –
giving spring, by touching what we become to live. And even the bird from the
jug become alive and flies down to drink live – water.
These mastered art symbols
give us a possibility to feel, like full and riginal sounds every national
culture in the world space.
